For months, I’ve been hiding Barney Saltzberg’s “Good Egg” in an out-of-the-way cabinet, having found the PERFECT book for Flora’s first Easter basket. Pull-tab books aren’t always a good idea for hands that haven’t quite learned a gentle touch, but this book was just too witty and innovative to resist.
On color-blocked pages, Saltzberg introduces us to “Egg,” whom he issues commands, much like you would a dog, on the subsequent pages. When the reader lifts the flap or pulls the tab, Egg adorably executes the command and its praise (“good egg”) is revealed.
Suspense builds when the egg is asked to “speak,” and a crack appears. When the command is reissued, the top off the eggs lifts to reveal a very talkative chick within.
LITTLE BUNNY FOO FOO: THE REAL STORY
For the older reader, I love “Little Bunny Foo Foo: The Real Story,” by Cori Doerrfeld. The book is based on the nonsensical contemporary American folksong whose authorship and exact date of origin are unknown. The general consensus is that the song popped up in the mid-1960s as a camp song, confirmed by my Boomer-era mother who recalls singing it at summer camp about that time.
The song was certainly a part of my childhood. I remember singing it and gleefully “bopping” my younger sisters on the head. So caught up in the silliness, I suppose I never stopped to ponder would could possess a cute cottontail to abuse her fellow forest friends in such a fashion.
That’s just the question Doerrfeld set out to answer in her quirky picture book. The illustrations reveal that Bunny Foo Foo may not be as malicious as we thought. And those poor, defenseless field mice? Not so poor and defenseless.
In Doerrfeld’s version of the story, the field mice sneak into Bunny Foo Foo’s house while she’s cleaning up from baking cupcakes and make off with her sweet treats. She goes “hopping through the forest” in pursuit of the thieves. When she catches them, she smacks the mice on the head and takes back her cupcakes.
Down comes the good fairy who decides to stick her nose where it doesn’t belong.
“Little Bunny Foo Foo, I don’t want to see you scooping up the field mice and bopping them on the head.”
The fairy tells Bunny Foo Foo she’ll turn her into a monster if the abuse continues and allows her two more chances to behave. Unfortunately, the field mice, now in cahoots with the other forest animals, have already made off with Bunny Foo Foo’s cupcakes again, and Bunny Foo Foo isn’t going to stand for it. She burns through her remaining chances, becoming increasingly enraged by the pilfering rodents, and the “Good” Fairy follows through on her threat, turning Bunny Foo Foo into a monster.
The monstrous Bunny Foo Foo exacts her revenge, however, and satisfies her sweet tooth by gobbling up the saccharine fairy, a consequence the Good Fairy obviously hadn’t considered before wielding her wand.
“And down went the Good Fairy, who tasted very good indeed.”
Doerrfeld’s acrylic illustrations hold all the appeal of your children’s favorite animated movies. She’s drawn mice and birds whose rascally behavior is at first disguised by their Disney-esque cuteness. Her Good Fairy is as sugary and frosted as Bunny Foo Foo’s cupcakes. And Bunny Foo Foo’s expressions of frustration-turned-fury make her a sympathetic heroine.
Doerrfeld’s lyrics vary slightly from the original (in which Bunny Foo Foo is given THREE chances before she’s turned into a GOON, rather than a monster); but this book is sure to inspire a rollicking sing-along and inevitably a game of head bopping, but hopefully all in good (and gentle) fun.