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I just got back from a family trip to Denver, and by “just” I mean a little over a week ago, but it takes a mom at least that long to catch her breath after surviving the packing, the airport, the late bedtimes and days without naps.

We spent four days in the Mile High City with my younger sister, Allison, who has lived in Denver for five years and is an expert on just about everything the city has to offer. We ate some phenomenal meals at several of the Denver’s most lauded restaurants, saw an stunning exhibit of Chihuly glass at the Denver Botanic Gardens and successfully completed a mountain hike with the kids in tow.


While seeing the sites and enjoying delicious food are always important priorities when we travel, discovering a city’s indie literary scene is typically my personal prerogative.

On past trips to Denver, I was introduced to Tattered Cover, one of the largest independent bookstores in the United States. It has three locations, including one in the hip LoDo (lower downtown) district. This particular store is housed in the historic C.S. Morey Merchantile Building, which dates back to 1896 and was once deemed “the most elegant business house in the West.” Its soaring ceilings, wide staircases, century-old brick and gorgeous wood support beams make the modern-day store the epitome of warehouse chic. Two stories are a filled with endless wood shelves chock-full of the best books in print today, with recommended titles elegantly displayed and accompanied by staff synopses. I could easily spend days on end perusing the offerings and reading in this book lover’s utopia.

Tattered Cover

When it comes to children’s books, though, Denver boasts another literary gem. Hidden in a strip mall on the city’s southeast side, The Bookies is inarguably one of the very best children’s book stores in the country.

Bookies Images

Earlier this fall, I was researching stores for the trip we’re planning to New York sometime in the next year. In the process, I discovered this list from BuzzFeed Community, which compiles the “14 Absolute Best U.S. Kids’ Bookstores,” as voted on by teachers in an online poll. Listed at #10 was The Bookies.

As a one-time journalist (trained at the world’s best J-school – MIZZOU-RAH!), I have my doubts about the authoritativeness of any list generated on BuzzFeed (I’ve seen plenty that are full-blown ridiculousness). But the list DID include the Wild Rumpus in Minneapolis and Reading Reptile in Kansas City, two bookstores I know for a fact are among the best in the business.

With that in mind, we found our way to The Bookies with just enough time to pop in for a look before dinner on our second day in Denver. One step in the door, and I was like a kid on Christmas morning. Never before have I seen such an expansive and comprehensive collection of board books, pictures books, chapter books, teaching supplies and wonderful toys. Twenty minutes, let alone 20 hours, would never be enough to do this store justice.

That afternoon, with the clock ticking on our dinner reservation, we came away with a hastily selected chapter book for each of the big girls, one truly wonderful board book for Flora and a determination to return. Which we did. The next day. And the next day. And if floo powder really existed, I’d be there right now.

Here’s what makes The Bookies exceptional. Not only do they have one of the most thorough collections of children’s literature in the United States, they also have some of the most helpful, friendly and knowledgeable employees you could ask for. Give me a picture book section that isn’t dictated by Disney princesses and I can easily find books that both meet my high standards and entertain my girls. But discovering new chapter books for Eloise and delving into Charlotte’s preferred genre of graphic novels makes me feel like a fish out of water. That’s where my new best friend Ryan steps in (although I don’t know if Ryan knows he’s my new best friend).

Ryan is an ever-smiling, 28-year-old youth literature expert who can just as easily talk to children as he can their book-obsessed parents. He told me he had worked at The Bookies for a year, and it’s apparent that he’s one of the lucky few whose job mirrors his most passionate interest.

Ryan just so happened to be the store’s go-to employee for graphic novels, so I commandeered his help, leaving other customers in my wake. I told him I have absolutely no familiarity with graphic novels, that Charlotte is drawn to them and I needed help finding selections that weren’t too dark. Ryan was off and running, and, man, did he hit it out of the park on his first at bat. I set Charlotte up in a corner of the store with more than a half-dozen of his recommendations, including:

Graphic Novel Recommendations

“Cleopatra in Space, Book One: Target Practice,” by Mike Maihack

“Babymouse #1: Queen of the World!” by Jennifer L. Holm and Matthew Holm

“Sidekicks,” by Dan Santat

“Explorer: The Lost Island,” a collaborative volume directed by Kazu Kibuishi and created with the help of several other comics greats

“Lunch Lady and the Cyborg Substitude,” by Jarrett Krosoczka

“Squish: Super Amoeba,” by Jennifer L. Holm and Matthew Holm

“Binky to the Rescue” by Ashley Spires

“Zita the Spacegirl,” by Ben Hatke

Meanwhile, Ryan and I continued on our stroll around the store, this time in search of chapter books with these criteria: must be outstanding, preferably not part of a series and appropriate content for a 6 year old who’s capable of reading nearly anything in the store. Here were some of Ryan’s suggestions:


“An Elephant in the Garden,” by Michael Morpurgo

“A Tangle of Knots,” by Lisa Graff

“Peter Nimble and His Fantastic Eyes,” by Jonathan Auxier

“Wonder,” by R. J. Palacio

“Princess Academy,” by Shannon Hale

“The Evolution of Calpurnia Tate,” by Jacqueline Kelly

“The Lemonade War,” by Jacqueline Davies

“The Land of Stores: The Wishing Spell,” by Chris Colfer

And anything by Gordon Korman, including “Swindle” and “The Hypnotists.”

And that’s how we spent two hours on our second trip to The Bookies.

But here’s the problem… I hadn’t even hit the picture book section yet. So my dear, indulgent sister returned with me for a third time the next day while the girls fit in a quick nap before we had to head the airport. I power shopped like it was Black Friday, and 45 minutes later I had a sack full of new picture books and board books about which I couldn’t be more excited.

So, the girls might not have ended up with any souvenir sweatshirts, but they’ll be enjoying our loot for the next year, at least. And the best part was, nearly all of our selections were available in paperback, and The Bookies offers a 15% discount when you pay in cash, so the pocketbook didn’t suffer TOO badly. We did push the limits on the airline’s bag weight limits on the way home, though. I felt like a narcotics smuggler as I was stuffing the girls’ rolling carry-on bags with all of our books.

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I’ll use almost any excuse to give my girls books: the first day of school, the last day of school, lost teeth, birthdays, Valentine’s Day, Easter, the first of December, Christmas, and, of course, our upcoming holiday – Halloween.

I’ll admit, I do this in large part to satisfy my own obsession with children’s books, but, honestly, what better gift can you give your child than a book? They certainly don’t need any more candy than what they’ll collect trick-or-treating!

Oftentimes, I skip the holiday-themed books in an effort to stock the shelves with books that hold their interest year round. However, over the years, we’ve collected a fair number of fantastic books that celebrate the traditions of this spooky holiday. Here are my favorites:


Harriet's Halloween Cover

“Harriet’s Halloween Candy,” written and illustrated by Nancy Carlson. (My all-time Halloween favorite)

Carlson is an author/illustrator from Minneapolis who published a series of “Harriet” books in the mid-80s, including this one from 1982, that readers of my generation may remember. In this story, Harriet returns home from trick-or-treating with an enormous haul of candy. She carefully organizes her stash: “First by color. Then by size. And finally by favorites.”

Looking on is Harriet’s little brother, Walt, who was too little to trick-or-treat. Harriet’s mother instructs Harriet to share with her little brother, and she begrudgingly hands over a teensy-weensy piece of coconut candy (“Harriet didn’t like coconut anyway”). She then hoards the rest of her candy until the next day, when she decides the only way to keep it safe for her own consumption is to eat it all, then and there. Unsurprisingly, she ends up green in the face and sick in the stomach and decides maybe it’s time to share.”

The book is often lauded for its lessons on sharing, but what I love most about the story is the perfection with which Carlson illustrates a child’s obsession with Halloween candy. I assessed, hoarded and overate my Halloween candy every year, just like Harriet. And just like Harriet, I ended up with more stomachaches than I liked.

Room on the Broom Cover

“Room on the Broom,” written by Julia Donaldson and illustrated by Axel Sheffler.

This book is on display everywhere for Halloween, so if you don’t have a copy already, you must pick one up! It’s a wonderful introduction to the awesome author-illustrator team of Julia Donaldson and Axel Scheffler (both of the U.K.). Donaldson rivals Suess for her talent with rhyming verse (I’d argue, she comes out on top; I know, blasphemy!), and Scheffler’s illustrations are playful, colorful and simply one-of-a-kind.

If you like what you see, be sure to check out all the rest of their collaborations here; we particularly love “The Gruffalo,” “The Scarecrow’s Wedding,” “Zog,” “Stick Man,” “Charlie Cook’s Favourite Book,” “The Snail and the Whale,” “The Smartest Giant in Town” and “A Squash and a Squeeze.”

In addition to the incredibly imaginative rhyming verse and the fabulous illustrations, “Room on the Broom” is wonderful because the story can be read year-round. Sure, the main the character is a witch, but Halloween isn’t the setting.

This friendly witch is simply taking a ride through the skies with her cat when a strong gust of wind blows off her hat. They go in search of the lost hat and are assisted by a polite dog who recovers the missing item. In return, the dog wonders if there’s “room on the broom” for a dog like him. The dog is welcomed into the fold, and the trio sets off together on the broom. However, the wind hasn’t let up and the witch subsequently loses her bow and wand. A parrot and frog come to her rescue in those instances, and each is welcomed aboard.

Unfortunately, it turns out that the broom cannot carry the load of them, and it snaps in two. The poor witch falls into the clutches of a hungry dragon in the mood for “witch with french fries.” But once more, the witch’s comrades come to her rescue, utilizing tactics much like those of the Town Musicians of Bremen. To thank her dear friends, the witch concocts a magical stew from which rises a brand-new broom “with seats for the witch and the cat and the dog, A nest for the bird and a pool for the frog.”

This is a fabulous book about new friendships and comraderie, plus every child likes a story about a magic witch’s stew!

Little Old Lady Cover

“The Little Old Lady Who Was Not Afraid of Anything,” written by Linda Williams and illustrated by Megan Lloyd.

This is another classic from the ‘80s, but the story and illustrations have a timeless appeal, which is why it remains in print and widely available today. The book is based on an older folktale about a spooky body that appears bit by bit, and it’s perfect for children who are begging for a “ghost story” but may not yet be ready for the real deal.

In Williams’ rendition, a “little old lady who was not afraid of anything” sets out for a walk in the woods. After the sun goes down and the forest darkens, she encounters a pair of shoes, walking on their own accord and making an ominous “clomp, clomp” sound. She sternly tells the shoes: “Get out of my way, you two big shoes! I’m not afraid of you!” The little old lady bravely continues on her trek home but soon encounters: a pair of pants, a shirt, two white gloves, a tall black hat and, finally, a “very huge, very orange, very scary pumpkin head” that says “boo, boo.”

Now it seems the “little old lady who was not afraid of anything” might just be a little frightened. She runs home as fast as she can and locks the door. When she hears a knock at the door, she summons up her courage and confronts the creepy collection of body parts. She tells them that, despite their best efforts, she’s not afraid of them and encourages them to try scaring the crows in her garden instead.

Ghosts in the House Cover

“Ghosts in the House,” written and illustrated by Kazuno Kohara.

This book was named one of the best illustrated children’s books of 2008 by The New York Times, and for good reason. Kohara’s linotype prints are stunning – the bold black illustrations stand out against vibrant orange paper, with white, semi-transparent ghosts as the only other contrast. I’m tempted to order a second copy of this book just so that I can frame pages from my original copy as Halloween decorations.

While the illustrations are irresistible, the story is equally endearing. A little girl and her cat move into a house on the edge of town only to discover it’s haunted. But Kohara lets us in on a little secret: “the girl wasn’t just a girl. She was a witch!” And that witch knows how to catch ghosts. She pulls her witch’s hat out of her suitcase, and she and her cat round up the mostly-friendly ghosts. Once caught, they send them through the washer, hang them up to dry and inventively turn them into curtains, tablecloths and blankets, making the house into the perfect home for a witch and her cat.


Five Little Pumpkins Cover

“Five Little Pumpkins,” illustrated by Dan Yaccarino.

Yaccarino is the illustrator behind the popular Nickleodeon shows “Oswald” and “The Backyardigans,” as well as several successful children’s books, including “Every Friday” and “Boy and Bot.” In this board book, he’s offered a playful visual reference for the quintessential Halloween rhyme, a rhyme I remember learning as a preschooler and one that my daughters performed at every one of their Halloween parties:

“Five little pumpkins, sitting on a gate.

The first one said, ‘Oh my, it’s getting late.’

The second one said, ‘There are witches in the air.’

The third one said, ‘But we don’t care.’

The fourth one said, ‘Let’s run and run and run.’

The fifth one said, ‘I’m ready for some fun.’

Ooooooooooo went the wind and out went the light.

And the five little pumpkins rolled out of sight.”

The book serves as a great prompt for older children who enjoy performing the rhyme, and its short verses and bright illustrations make it captivating for babies and toddlers.

Halloween Faces Cover

“Halloween Faces,” by Nancy Davis.

Davis combines graphic, color-blocked illustrations with the inventive use of die-cut pages, to create a book in which you are able to try various Halloween masks on a boy and girl as you turn the pages. Similarly, the second portion of the book includes die-cut pages that reveal silly, happy, scary and spooky pumpkin faces. The final spread is a fold out that reveals a Halloween party scene, attended by adorably dressed trick-or-treaters.

Who Said Boo Cover

“Who Said Book?,” written by Phyllis Root and illustrated by Ana Martin Larranaga.

A lift-the-flap book in which a vampire demands to know “who said boo.” Each spread includes a page with a door flap, behind which hide various Halloween characters, none of whom claim to have said “boo.” The tiniest door reveals a mouse, who admits to being the culprit, and the supposedly scary ghost, witches, ghoul, vampire and skeleton yell “EEEEEEEEEEK!” in fearful response.

This book earns merit for the universal appeal of its lift-the-flap format, its creative and unexpected rhymes and the cuteness of its illustrations.

Witch's Night Out Cover “Witch’s Night Out,” written by Janet Sacks and illustrated by Luana Rinaldo.

This super cool pull-tab book is part of a series of “mini magic color books.” Images revealed through die-cut openings initially appear in black and white. When the tab is pulled, however, the image is revealed in full color. The text makes use of the cute trick and asks readers to guess the color of various characters’ accouterments. For example, we are introduced to Wendy Witch who lives in the land of friendly witches. What color is she wearing? When her image escapes the right margin of the page, we find her wearing a green dress, candy striped tights and purple hat and boots. Similarly, the reader is invited to guess the color of her cat, her friend William Wizard’s cloak and hat, and the color of the moon. Kids are bound to love this one because they’ve never seen pull-tabs works quite this way before.

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My dog has been immortalized in children’s literature!

If you’ve visited the newly remodeled and reopened Ames Public Library, you may have sat in on reading of “Dog Tales Too: Old and New,” the sequel to the book that introduced us to the library’s beloved mascot, a big blue dog named Smyles.

Dog Tales Too Cover

Roger KluesnerThe book was co-authored by my good friend and former neighbor, Roger Kluesner, who also happens to be a board member for the library’s Friends Foundation and was highly involved in the library’s remodel. Local children’s book author Sarvinder Naberhaus helped shape his vision into wonderfully rhymed verses.

Roger was inspired to write the book after observing Iowa State University’s sheep dog, Chester, patrol our neighborhood long after a large portion of his pastureland was converted into a residential development. Despite the fact that his flock was contained to the west and the south of our houses, the big, shaggy, black dog still felt the need to keep watch over the entirety of his former territory.


Roger imagined the fictional Smyles might also have struggled with the upheaval in his living circumstances, after spending two years in the library’s temporary home on Lincoln Way before returning to the newly remodeled facility on Douglas Avenue. In addition, Roger was quite familiar with the many real-life concerns of those who were uncertain about all of the drastic changes being made to original library, parts of which date back to 1904.


In “Old and New,” Smyles and Chester the Sheep Dog makes each other’s acquaintance while Smyles is touring the town with the bookmobile and his librarian friend, Miss June. Smyles lends a sympathetic ear when Chester expresses his unease with the changes being made to his farmland home. Smyles invites Chester to join him as the bookmobile completes its route, and, along the way, Smyles shows Chester many of Ames’ landmarks that also have been modified in some way over the years.

Ames Landmarks

When the duo makes a stop at Ada Hayden, they run into the one and only Honey B. Good, ever eager for a game of fetch with her tennis ball. For those who know our fabulous dog, you’ll immediately recognize her beautiful golden eyes, red coloring, friendly demeanor and pretty feminine face (yes, I’m biased).

Honey's Appearance

I am so grateful to Roger and illustrator Gordon S. Roy for honoring Honey by including her in this book. Roger is well aware of my children’s book obsession, and it was so kind of him to give me a personal connection to a book that’s sure to be cherished by the children of Ames. In addition, Honey was Austin’s and my first “baby” and the first dog that I’ve trained competitively in obedience – both of these roles earn her a permanently precious place in our hearts, something our friends who also train dogs will understand well.

Honey B. Good

As the book reaches its conclusion, Smyles and Chester join the residents of Ames as they celebrate the library’s grand reopening. When the ribbon is cut, Smyles bounds through the door, eager to be back home.

Library r

As he explores the remodeled library, Smyles is both comforted by what is familiar and thrilled by all that is new, including a vibrant green storytime room and a children’s reading area dubbed “Smyles’ Corner.” As Chester the Sheep Dog puts it: “Your home’s Old and New. It’s changed just like mine has; now I’m not so blue. I can’t herd my sheep far beyond pasture’s end, but I can still guard them and I’ve made a new friend.”

New Library FeaturesIt was Roger’s hope that all those who love the library would embrace the “renewed” building in a similar fashion. Hints of the library’s 104-year history are still apparent, but what’s not to love about more than doubling the facility’s square footage? Or the soaring ceilings and bright and airy spaces? And certainly all of the library’s patrons are happy to see the library (and Smyles) back in its rightful home.

Dog Tales Conclusion

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Are anyone else’s kids obsessed with telling knock-knock jokes that make absolutely no sense at all?

Here’s one I overheard recently:

Charlotte: “Knock Knock.”

Eloise: “Who’s there?”

Charlotte: “Eyeball.”

Eloise: “Eyeball who?”

Charlotte: “Eyeball on your face!”

(Both girls laugh hysterically.)

My girls needed better material to work with. But what makes a knock-knock joke difficult for children is the joke’s reliance on homophones (groups of words that have the same pronunciation but different meanings; ie: “I scream” and “ice cream.”) So, I can tell the girls a perfectly good knock-knock joke but the humor is lost on them because they miss the duality of the words. As an example:

Knock knock.

Who’s there?


Mikey who?

Mikey won’t fit in the keyhole.

They stumble making the transition from “Mikey” to “my key,” and I have to pantomime a failed attempt at unlocking a door with a key.

The solution to teaching my kids good knock-knock humor? ILLUSTRATED knock-knock jokes! And it doesn’t get much better than Dial Books’ compilation of jokes, illustrated by some of the greatest picture book illustrators alive today.

Knock Knock Cover

The 14 artists who contributed to “Knock, Knock!” include the geniuses behind “Strega Nona,” “The Dot,” “Big Red Lollipop,” “Zen Shorts,” “A Series of Unfortunate Events,” “Imogen’s Antlers” and “A Ball for Daisy.

Each right-hand page of the book is the illustrated set-up for a knock-knock joke. Take Saxton Freymann’s classic, for example:

Lettuce In 1

You turn the page, and the punchline is revealed:

Lettuce In 2

The visual helps children understand the play on words more quickly and also helps them put the joke to memory — all the better to entertain their family and friends.

My girls’ favorite, which they’ve repeated with some success, comes from illustrator Laurie Keller:

Impatient Cow


As a side note, Iowa appears to have a place in knock-knock-joke history. Wikipedia cites the Rolfe Arrow of Rolfe, Iowa, as one of the very first places a knock-knock joke (in the form we know it today) appeared in print in the United States. It took some digging (Wikipedia references an incorrect date and page) but I eventually tracked down the original humor column (“HeeHaw News”) in the Arrow’s online archives.

Original Knock Knock Joke


The Pittsburg Post-Gazette had earlier reported in their Aug. 9, 1936, edition that knock-knock jokes had become a popular parlor game that year.

Pittburg Post-Gazette


Thank goodness knock-knock humor has improved a bit over the past 75 years. I got a genuine laugh or two from this mostly-kid-friendly list at BuzzFeed.

What are your favorite knock-knock jokes?

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Lost Things

Speaking of “Mom Brain”…

Cell phone, keys, sunglasses, credit cards, books, chargers, jewelry, slips of paper … I am perpetually – as in EVERY DAY – losing these and other essential items. Not too long ago, I accidently left my wallet (with all my credit cards and ID) in a box I dropped off at Goodwill, never to be seen again

One of the many challenges of becoming a parent has been the added responsibility of keeping track of my children’s possessions as well as my own.

Granted, at 6 and 5, the older two should really take care of their own things, but I know that I’ll end up being the one who suffers the most when Blankie turns up missing at bedtime or when their MOST SPECIAL stuffed animal is MIA. Plus, I feel a tad responsible for handing down the tendency-to-lose-things gene, and I never quite recovered from the loss of my own baby blanket at a hotel in Minneapolis (even if it was in seventh grade).

So…if that means making trips to Hy-Vee, Target, Wal-Mart and a half dozen other places in pursuit of a stuffed moose called Tyrone, so be it. (He turned up a few weeks later inside a wicker pumpkin stored with our Halloween decorations). And it only took three months of searching every crook and cranny of our house and half the town, but I eventually tracked down Charlotte’s missing back-up blankie here:

Blankie Found

(Really? What motived her to store her blankie in a bundt pan in a rarely-opened drawer of baking supplies?)

One of the absolute best picture books about lost things is Mo Willems’ “Knuffle Bunny: A Cautionary Tale,” the first in his trilogy about a girl named Trixie and her beloved stuffed rabbit.

Knuffle Bunny Cover

The book earned a 2005 Caldecott Honor, and I suspect its enduring popularity has a lot to do with the fact that the story is inspired by the true events of an outing the author took with his daughter:

“The whole Knuffle project started by accident,” Willems told Leonard Marcus, author of “Show Me a Story: Why Picture Books Matter.” “One day I was sitting in my art director’s office with her and my editor, telling a funny story while we waited for some printouts. Immediately, Alessandra Balzar, my editor, said, ‘That’s a book!’ I said, ‘No, no. It’s just a funny little story.’ But she insisted (and Alessandra is very good at insisting), so I went home and thought about it seriously. In the process of expanding and fictualizing the story, I realized she might just be right.”


Mo Willems' Family

(Mo Willems with his wife, Cheryl, and daughter, Trixie)

Dedicated to the “real Trixie and her mommy,” “Knuffle Bunny” is described as a “tale about what happens when Daddy [presumably Willems, himself] is in charge and things go terribly, hilariously [though not hilarious to Trixie] wrong.”

Here’s how the adventure begins:

“Not so long ago, before she could even speak words, Trixie went on an errand with her daddy…”

Trixie and Daddy Leaving

Can you see Trixie’s mommy sitting on the front stoop of their brownstone with a book in her lap, anticipating a nice hour or so to herself? Not only will she be freed of parenting duties, but her husband also will be off completing a tedious household chore. It’s every mother’s dream and almost as rare as Halley’s comet passing.

Trixie and Daddy walk down the block, through the park, past the school to the laundromat, where they load their basket of dirty laundry into the washing machine before heading back home.

Doing Laundry

But here’s where things go so terribly wrong, because “a block or so later … Trixie realized something.”

Trixie Realized Something

Astute readers are already aware that Trixie is missing her treasured friend, Knuffle Bunny. Trixie’s father, however, is clueless. Unable to make sense of her babbling, Daddy trudges toward home, toting Trixie, now in full-tantrum mode.


I love the accuracy with which Willems has depicted Trixie’s meltdown: she pleads helplessly, is dragged, goes “boneless,” is carried while flailing and kicking her daddy in the chest before finally succumbing to hysterics. I equally adore the oh-so-familiar progression of expressions on Trixie’s daddy’s face (shock, helplessness, frustration, embarrassment, anger) and the gawking and judgemental faces of passersby.

Can we pause here to say this is just the sort of thing that happens when a dad is on duty? Moms are like nurses in an operating room, counting each and every surgical instrument and sponge before closing up. When the girls and I prepare to leave the pool, the library, a play date, the doctor’s office, a park, the gym, I’m counting heads, shoes, lovies, towels, diving sticks, water bottles and myriad other things. (I also try to remember my own phone, sunglasses and wallet). Admittedly, items are left in our wake, but their absence is usually quickly noted and U-turns are involved.

When Trixie and her daddy arrive at their doorstep, it comes as no surprise that Trixie’s mommy is able to assess what’s amiss in no time at all.

“Where’s Knuffle Bunny?”


Trixie is rightfully indignant, and Daddy panics as he realizes the consequences of the situation. The family races back to the laundromat where, much to everyone’s relief, Daddy is able to redeem himself by rolling up his sleeves and diving head first into the washer to dig out Trixie’s well-loved rabbit. The icing on the cake? The incident prompts Trixie to speak her first words: “Knuffle Bunny!”

Trixie's First Words

As an aside, I was reading an article Willems did with the online newspaper seattlepi.com, and they raised the question about how one pronounces the word “Knuffle.” In the second book in the series, “Knuffle Bunny Too: A Case of Mistaken Identity,” Trixie squabbles over the articulation of the name with a girl who owns a rabbit identical to hers: Trixie says “ka-nuffle” while her rival, Sonja, says “nuffle.” It turns out Trixie has it right. “Knuffle” is a Dutch word that means “to snuggle or hug.” Willems is the son of Dutch immigrant parents, so it would make sense that his own daughter (fictional or not) would know how to pronounce the word correctly. Unfortunately, the spelling of the word is another story:

Willems learned — too late — that he goofed by transposing the “e” and the “l” in “knuffel” all through the original book.

“After it was published my mother said, ‘Why did you misspell it?'”

His only excuse: “It didn’t come up on my spell check.” (Cecelia Goodnow, seattlepi.com)

The Knuffle Bunny series and all of Mo Willems’ books, for that matter, are lauded for the way in which they so accurately reflect the emotions, challenges and development of children. Young readers quickly identify with Trixie’s difficulties communicating, with the Pigeon’s frustrations at always being told “no” and with the stumbling blocks in Elephant and Piggie’s friendship.

What makes “Knuffle Bunny” a standout, however, is the unique illustrative methods Willems employed to bring it to print. Willems’ typical cartoon doodles are easily recognizable. In fact, his mischievous Pigeon is familiar to parents and children practically around the world. But in “Knuffle Bunny,” the expressive cartoon characters are creatively placed on photographic backgrounds, taken from Willems’ own Brooklyn neighborhood. The marriage of cartoon and photography was a happy accident, according to Willems:

“The characters weren’t popping and I couldn’t get it to work. Then one of my drawings accidentally fell on top of one of the photographs on my light box, and I suddenly had the idea to combine the two.” (“Show me a Story: Why Picture Books Matter”)

The resulting product was the first Caldecott Honor winner to contain photography in any way. I particularly like the way in which Willems allows his characters to walk in and out of the photographs.

The adventures of Trixie and Knuffle Bunny continue in “Knuffle Bunny Too” and the final installment, “Knuffle Bunny Free: An Unexpected Diversion.” Together they chronicle Trixie’s transition from baby to youth as well as the evolution of her relationship with Knuffle Bunny. Each book is absolutely fabulous for its own unique qualities.

Maybe A Bear Ate It CoverOne last book worth mentioning — another favorite about lost things — is “Maybe a Bear Ate It,” written by Robie H. Harris and illustrated by Michael Emberly. It’s the story of a monster child who heads to bed with his favorite book, only to lose it in the covers as he becomes heavy-eyed. When he notices the book’s absence, he’s startled awake and begins thinking of the most irrational possibilities for where it might be (“Maybe a bear ate it!”). I love this book because it’s just the way my mind works when I’m frantically searching for a misplaced item and I’ve already checked all the rational locations — my worst assumption is always that it might have been thrown away. In the case of Charlotte’s missing blankie, I was convinced it had been tossed with the wrapping paper from her birthday presents.

Have You Seen My New Blue Socks CoverI also plan to check out “Have You Seen My New Blue Socks?,” written by Eve Bunting and illustrated by Sergio Ruzzier. It promises a similar theme, and my interest is particularly piqued because of the involvement by Ruzzier, who has authored/illustrated such amazing books as “Bear and Bee” and “Amandina.”

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When Charlotte, now 5, was about 18 months old, I discovered “Edwin Speaks Up,” written by April Stevens and illustrated by Sophie Blackall. The book originally caught my interest because the title character, almost-1-year-old Edwin, is quite the babbler, yet no one in his family can figure out the important things he’s trying to tell them.

Edwin Speaks Up Cover

At the time, Charlotte was similarly indecipherable. She’d say something three or four times and, eventually, I’d just have to smile and say, “Ok.” She had so much to say and she was so certain of herself; sometimes it just broke my heart not knowing what big ideas she wanted to share.

And while Stevens’ clever book certainly sympathizes with the unheard and overlooked younger child, over the years I’ve come to appreciate “Edwin Speaks Up” for its other wonderful themes, as well, particularly its hilariously accurate portrayal of the dreaded phenomenon we call “Mom Brain.”

The affected mother, in this case, is Mrs. Finnemore, a lovely ferret with five little ferrets to mind. The youngest Finnemore, Edwin, is about to celebrate his first birthday, and the story chronicles their trip to the grocery store to pick up sugar for Edwin’s birthday cake.

Finnemore Family

Can a children’s book actually be written about a trip to the grocery store, you ask? Of course! I’ll wager a bet that most moms have at least one whopper of a story from the grocery store aisles. I’ve made trips to Hy-Vee that have garnered a handful of good anecdotes in one go – fussy babies, misbehaving toddlers, blown out diapers, time outs, gawking strangers.

Mrs. Finnemore’s first challenge, as it is for many of us, is simply getting out the door. She can’t quite recall where she left her keys, and in the opening spread, we see her dashing about the house, in search mode, as a brood of exasperated ferret children wait reluctantly and little Edwin babbles unintelligibly on the floor.

Or maybe his babbles are more intelligent than we thought…

Searching for Keys

“Gloo poop SHOE noogie froo KEY,” Edwin asserts, to an oblivious audience.

Sure enough, Mrs. Finnermore eventually locates the missing keys inside her son’s shoe on the hall table.

Challenge #2 is loading her five children into the car. In the midst of refereeing arguments over who gets which seat and buckling Edwin into his carseat, Mrs. Finnemore ends up leaving her pocketbook on the roof of the station wagon, a fact only Edwin seems to note: “Figbutton noO noO pocKY BoOKY froppin RoOf.”

Purse on Car Roof

I’d be curious to see the results of a survey polling mothers on whether they’ve ever left their purse or wallet on the roof of the car and driven off. My suspicion would be that most have, because it’s an unfortunate feat of absent-mindedness that both the author, April Stevens, and I have in common with Mrs. Finnemore.

In Stevens’ case, she admits in the book’s dust jacket that her wallet once miraculously survived a 15-mile drive home from the supermarket. I was not as lucky – mine toppled off my car as I drove home from book club one blustery night. I discovered it missing well after midnight and had to trace my path back through the city’s snow covered streets until I found it.

Mrs. Finnemore is relieved to discover hers still in place when she arrives at Fineson’s Fine Grocery, because is there really anything worse that loading up all of the kids only to discover you left your money at home?

Well…I suppose I can think of one worse scenario: loading up all of the kids, somehow managing to complete your entire shopping trip before discovering AT THE CHECK OUT LANE!!! that you don’t have your wallet – been there, done that.

When the Finnemores finally make their way into the grocery store, more chaos ensues. The oldest four children upend a display of canned peas, then engage in a wrestling match in the produce aisle. Meanwhile, Mrs. Finnemore confuses someone else’s cart for her own, and takes off to get the all-important sugar, unaware that she’s forgotten her birthday boy.

Shopping Chaos

“Did someone take my cart?” Mrs. Finnemore could hear Mrs. Lutzheimer call from aisle number one.

“However could someone lose their cart?” Mrs. Finnemore clucked and shook her head as she turned into aisle three.

Mrs. Finnemore’s obliviousness makes her carelessness all the more comical. And don’t we all pass those small judgements? “Oh, I would never do something so ridiculous!” And then we do. But how can we blame Mrs. Finnemore or ourselves, for that matter? How can one possibly expect the brain to function properly under such trying conditions? Just once I’d like to finish a sentence, finish a meal, finish a phone call, finish an email, finish a thought without being interrupted by somebody crying, somebody fighting, somebody asking for more milk.

Mrs. Finnemore’s blunder is eventually discovered and Edwin is reunited with his family but the sugar is lost in the process of sorting out the carts. Once more, only Edwin seems to have a clue.

“Rootin popel CART no no SWEETY,” he tells them.

Edwin tries again: “Gimpin chalk lil wiz um SWEETIN do a bye bye.”

His siblings are too distracted arguing over ice cream flavors and his mother, well…. she might just be in a Xanax haze because how else would a woman survive a trip to the grocery store with five kids without ever losing her cool? My face NEVER looks that blissful when I’m shopping with my kids!

Edwin, on the other hand, is becoming increasingly distressed, as his mother heads to the check out lane, unaware of the missing ingredient:

“Plopin grouff shooop CAKE sweet NO NO.”


“Oh, Edwin honey, is your diaper wet?” Mrs. Finnemore sighed.

Unheard and unobserved, Edwin decides to take matters into his own hands. He climbs out of the cart, crawls to the baking aisle, grabs the sugar, pushes it to the check out lane and plops it on the belt.

Edwin Gets Sugar

As the Finnemore’s head home to prepare for Edwin’s birthday (this time with the sugar on the roof of the car), Mrs. Finnemore remarks:

“Tomorrow is Baby Edwin’s birthday—he’s growing up so fast. Soon he’ll be talking. Can you even imagine that?”

Mrs. Finnemore’s statement reflects the ways in which many of us continue to view our youngest children as babies, long past the point at which they’ve transitioned to toddlers or older.

If Stevens’ story wasn’t amusing enough, Sophie Blackall’s illustrations are the cherry on the top. She’s taken some artistic liberties, giving the book an irresistible fifties feel, with that classic pastel color palette and everyone dressed in the fashions of the era, geometric fabrics and belted waistlines included.

Blackall’s illustrations are incredibly charming, but they also add a rich layer of detail to the story, particularly elaborating on the mischievousness of the Finnemore children: the looks of disdain when they’re informed of their impending trip to the store, Finney sticking his tongue out at his sister, Fergus giving Fiona the death stare during their ice-cream-flavor debate, and three of the four oldest children ransacking the dreaded candy displays that are so “conveniently” located in such close proximity to the check-out lanes.


In fact, Blackall’s pictorial storytelling is so wonderfully endearing that I often think of her name before the names of those who have authored the books she’s worked on. Some of my very favorites are “Big Red Lollipop” and “Ruby’s Wish,” and when my daughters finally corner me with that dreaded question (“Where do babies come from?”), I’ll be sure to get my hands on “The Baby Tree,” just released and also authored by Blackall.

Sophie Blackall Covers

Sophie Blackall PrintIn the meantime, I’m enjoying this gorgeous signed print from Blackall, which I ordered from her fabulous Etsy shop to celebrate my husband’s and my 9-year wedding anniversary. The image is part of a collection of illustrations Blackall created that were inspired by amusing Craiglist “missed connections” personal ads. And if I didn’t already love Sophie Blackall enough, she packaged my print with these adorable extras!


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My husband and I are celebrating the ninth anniversary of our wedding tomorrow. We’re high school sweethearts who sometimes act more like quarrelsome siblings — we did, in essence, grow up together.

I first set eyes on Austin a little more than 16 years ago, in April, during soccer season. I caught sight of that tall, blonde drink of water on the field from my vantage point in the stands and that was it.

I had a penchant for stalking boys (just ask my other adolescent crushes), so I spent the next four months “running into” Austin at Taco Time, his place of summer employment, or at his house (my best friend was dating his younger brother and I was the frequent third wheel). He finally succumbed to my charms and asked me out on our first date: dinner at Garfield’s in south Des Moines on August 21st, 1998.

Now here we are, with a life together more rich than we could have ever imagined as teenagers.

However, when it comes to traditional romantic occasions, such as our anniversary or Valentine’s Day, our mutual efforts leave more than a little room for improvement. There was the first year, when Austin attempted to frame our wedding vows but ended up slicing off the tip of his nose when the glass in the frame tipped out while we was cleaning it. The experience must have been particularly scarring (figuratively AND literally — just take a close look at his nose), because that was probably the last time we exchanged anniversary gifts.

That said, I scrounged up a little something this year to commemorate our 9th year of matrimony. But if I’m being perfectly honest, the only reason I have any gift at all is because I was researching children’s book illustrator Sophie Blackall today for another blog post I’m working on.

Blackall is the artist behind such fantastic books as “Big Red Lollipop” and the Ivy and Bean chapter book series, in addition to many others. Her Chinese ink and watercolor images are amazingly detailed and incredibly distinctive, making her one of my all-time favorite illustrators. Thus, you can imagine the happy dance I did when I discovered she has an ETSY SHOP!!! where she sells incredibly reasonably priced prints of some of her amazing illustrations.

Many of the prints are from a fascinating collection of drawings illustrating actual Missed Connections Craigslist classifieds from New York City, which were published as a book, “Missed Connections: Love, Lost & Found.” Others are simply beautiful images celebrating love. Here’s the one that’s en route to my house:

Sophie Blackall Print

It’s a sentiment about our relationship I feel quite profoundly; if things hadn’t lined up just so, we never would have met, fallen in love and brought our beautiful girls into this world. I love you, Austin.



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