I’ll use almost any excuse to give my girls books: the first day of school, the last day of school, lost teeth, birthdays, Valentine’s Day, Easter, the first of December, Christmas, and, of course, our upcoming holiday – Halloween.
I’ll admit, I do this in large part to satisfy my own obsession with children’s books, but, honestly, what better gift can you give your child than a book? They certainly don’t need any more candy than what they’ll collect trick-or-treating!
Oftentimes, I skip the holiday-themed books in an effort to stock the shelves with books that hold their interest year round. However, over the years, we’ve collected a fair number of fantastic books that celebrate the traditions of this spooky holiday. Here are my favorites:
“Harriet’s Halloween Candy,” written and illustrated by Nancy Carlson. (My all-time Halloween favorite)
Carlson is an author/illustrator from Minneapolis who published a series of “Harriet” books in the mid-80s, including this one from 1982, that readers of my generation may remember. In this story, Harriet returns home from trick-or-treating with an enormous haul of candy. She carefully organizes her stash: “First by color. Then by size. And finally by favorites.”
Looking on is Harriet’s little brother, Walt, who was too little to trick-or-treat. Harriet’s mother instructs Harriet to share with her little brother, and she begrudgingly hands over a teensy-weensy piece of coconut candy (“Harriet didn’t like coconut anyway”). She then hoards the rest of her candy until the next day, when she decides the only way to keep it safe for her own consumption is to eat it all, then and there. Unsurprisingly, she ends up green in the face and sick in the stomach and decides “maybe it’s time to share.”
The book is often lauded for its lessons on sharing, but what I love most about the story is the perfection with which Carlson illustrates a child’s obsession with Halloween candy. I assessed, hoarded and overate my Halloween candy every year, just like Harriet. And just like Harriet, I ended up with more stomachaches than I liked.
“Room on the Broom,” written by Julia Donaldson and illustrated by Axel Sheffler.
This book is on display everywhere for Halloween, so if you don’t have a copy already, you must pick one up! It’s a wonderful introduction to the awesome author-illustrator team of Julia Donaldson and Axel Scheffler (both of the U.K.). Donaldson rivals Suess for her talent with rhyming verse (I’d argue, she comes out on top; I know, blasphemy!), and Scheffler’s illustrations are playful, colorful and simply one-of-a-kind.
If you like what you see, be sure to check out all the rest of their collaborations here; we particularly love “The Gruffalo,” “The Scarecrow’s Wedding,” “Zog,” “Stick Man,” “Charlie Cook’s Favourite Book,” “The Snail and the Whale,” “The Smartest Giant in Town” and “A Squash and a Squeeze.”
In addition to the incredibly imaginative rhyming verse and the fabulous illustrations, “Room on the Broom” is wonderful because the story can be read year-round. Sure, the main the character is a witch, but Halloween isn’t the setting.
This friendly witch is simply taking a ride through the skies with her cat when a strong gust of wind blows off her hat. They go in search of the lost hat and are assisted by a polite dog who recovers the missing item. In return, the dog wonders if there’s “room on the broom” for a dog like him. The dog is welcomed into the fold, and the trio sets off together on the broom. However, the wind hasn’t let up and the witch subsequently loses her bow and wand. A parrot and frog come to her rescue in those instances, and each is welcomed aboard.
Unfortunately, it turns out that the broom cannot carry the load of them, and it snaps in two. The poor witch falls into the clutches of a hungry dragon in the mood for “witch with french fries.” But once more, the witch’s comrades come to her rescue, utilizing tactics much like those of the Town Musicians of Bremen. To thank her dear friends, the witch concocts a magical stew from which rises a brand-new broom “with seats for the witch and the cat and the dog, A nest for the bird and a pool for the frog.”
This is a fabulous book about new friendships and comraderie, plus every child likes a story about a magic witch’s stew!
“The Little Old Lady Who Was Not Afraid of Anything,” written by Linda Williams and illustrated by Megan Lloyd.
This is another classic from the ‘80s, but the story and illustrations have a timeless appeal, which is why it remains in print and widely available today. The book is based on an older folktale about a spooky body that appears bit by bit, and it’s perfect for children who are begging for a “ghost story” but may not yet be ready for the real deal.
In Williams’ rendition, a “little old lady who was not afraid of anything” sets out for a walk in the woods. After the sun goes down and the forest darkens, she encounters a pair of shoes, walking on their own accord and making an ominous “clomp, clomp” sound. She sternly tells the shoes: “Get out of my way, you two big shoes! I’m not afraid of you!” The little old lady bravely continues on her trek home but soon encounters: a pair of pants, a shirt, two white gloves, a tall black hat and, finally, a “very huge, very orange, very scary pumpkin head” that says “boo, boo.”
Now it seems the “little old lady who was not afraid of anything” might just be a little frightened. She runs home as fast as she can and locks the door. When she hears a knock at the door, she summons up her courage and confronts the creepy collection of body parts. She tells them that, despite their best efforts, she’s not afraid of them and encourages them to try scaring the crows in her garden instead.
“Ghosts in the House,” written and illustrated by Kazuno Kohara.
This book was named one of the best illustrated children’s books of 2008 by The New York Times, and for good reason. Kohara’s linotype prints are stunning – the bold black illustrations stand out against vibrant orange paper, with white, semi-transparent ghosts as the only other contrast. I’m tempted to order a second copy of this book just so that I can frame pages from my original copy as Halloween decorations.
While the illustrations are irresistible, the story is equally endearing. A little girl and her cat move into a house on the edge of town only to discover it’s haunted. But Kohara lets us in on a little secret: “the girl wasn’t just a girl. She was a witch!” And that witch knows how to catch ghosts. She pulls her witch’s hat out of her suitcase, and she and her cat round up the mostly-friendly ghosts. Once caught, they send them through the washer, hang them up to dry and inventively turn them into curtains, tablecloths and blankets, making the house into the perfect home for a witch and her cat.
“Five Little Pumpkins,” illustrated by Dan Yaccarino.
Yaccarino is the illustrator behind the popular Nickleodeon shows “Oswald” and “The Backyardigans,” as well as several successful children’s books, including “Every Friday” and “Boy and Bot.” In this board book, he’s offered a playful visual reference for the quintessential Halloween rhyme, a rhyme I remember learning as a preschooler and one that my daughters performed at every one of their Halloween parties:
“Five little pumpkins, sitting on a gate.
The first one said, ‘Oh my, it’s getting late.’
The second one said, ‘There are witches in the air.’
The third one said, ‘But we don’t care.’
The fourth one said, ‘Let’s run and run and run.’
The fifth one said, ‘I’m ready for some fun.’
Ooooooooooo went the wind and out went the light.
And the five little pumpkins rolled out of sight.”
The book serves as a great prompt for older children who enjoy performing the rhyme, and its short verses and bright illustrations make it captivating for babies and toddlers.
“Halloween Faces,” by Nancy Davis.
Davis combines graphic, color-blocked illustrations with the inventive use of die-cut pages, to create a book in which you are able to try various Halloween masks on a boy and girl as you turn the pages. Similarly, the second portion of the book includes die-cut pages that reveal silly, happy, scary and spooky pumpkin faces. The final spread is a fold out that reveals a Halloween party scene, attended by adorably dressed trick-or-treaters.
“Who Said Book?,” written by Phyllis Root and illustrated by Ana Martin Larranaga.
A lift-the-flap book in which a vampire demands to know “who said boo.” Each spread includes a page with a door flap, behind which hide various Halloween characters, none of whom claim to have said “boo.” The tiniest door reveals a mouse, who admits to being the culprit, and the supposedly scary ghost, witches, ghoul, vampire and skeleton yell “EEEEEEEEEEK!” in fearful response.
This book earns merit for the universal appeal of its lift-the-flap format, its creative and unexpected rhymes and the cuteness of its illustrations.
“Witch’s Night Out,” written by Janet Sacks and illustrated by Luana Rinaldo.
This super cool pull-tab book is part of a series of “mini magic color books.” Images revealed through die-cut openings initially appear in black and white. When the tab is pulled, however, the image is revealed in full color. The text makes use of the cute trick and asks readers to guess the color of various characters’ accouterments. For example, we are introduced to Wendy Witch who lives in the land of friendly witches. What color is she wearing? When her image escapes the right margin of the page, we find her wearing a green dress, candy striped tights and purple hat and boots. Similarly, the reader is invited to guess the color of her cat, her friend William Wizard’s cloak and hat, and the color of the moon. Kids are bound to love this one because they’ve never seen pull-tabs works quite this way before.